{"id":4863,"date":"2025-02-21T15:33:05","date_gmt":"2025-02-21T14:33:05","guid":{"rendered":"https:\/\/p707289.webspaceconfig.de\/en\/?p=4863"},"modified":"2025-02-21T15:33:06","modified_gmt":"2025-02-21T14:33:06","slug":"annual-program-2025","status":"publish","type":"post","link":"https:\/\/www.keramikkuenstlerhaus.de\/en\/annual-program-2025\/","title":{"rendered":"Annual program 2025"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"725\" src=\"https:\/\/p707289.webspaceconfig.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Teaser_Innen-1024x725.jpg\" alt=\"Jahresprogramm Teaser Innen\" class=\"wp-image-4845\" style=\"width:1033px;height:auto\" srcset=\"https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Teaser_Innen-1024x725.jpg 1024w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Teaser_Innen-300x212.jpg 300w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Teaser_Innen-768x544.jpg 768w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Teaser_Innen-1536x1087.jpg 1536w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Teaser_Innen-1000x708.jpg 1000w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Teaser_Innen-230x163.jpg 230w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Teaser_Innen-350x248.jpg 350w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Teaser_Innen-480x340.jpg 480w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Teaser_Innen.jpg 1752w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>As part of the \u00b0CAET program, six international artists are once again coming to the Keramikk\u00fcnstlerhaus for seven weeks each: <strong>Razalina Busel<\/strong> from Belarus, <strong>Ruth Unger<\/strong> from Leipzig, <strong>Amelia Rosenberg<\/strong> from the USA, <strong>Ollie Gandul Reyes<\/strong> from Spain, <strong>Yumiko Ono<\/strong> from Japan and <strong>Magdalena Maros<\/strong> from Poland. In addition to the exhibition openings, other events such as the open studio, showings and workshops will also take place.<\/p>\n\n\n\n<p><strong>1st tandem: Razalina Busel and Ruth Unger; Vernissage: April 24<\/strong><\/p>\n\n\n\n<p><strong>Razalina Busel <\/strong>(Belarus) explores borders and restrictions in her planned installation <em>&#8220;BORDERS AND RESTRICTION. ONE MORE BRICK&#8221;<\/em>, inspired by mourning rituals and her own migration experience. Ceramic &#8220;coffin bricks&#8221; \u2013 some mixed with ashes \u2013 and multimedia elements address physical and symbolic transitions. The objects, complemented by AI-generated floral motifs and sound recordings, engage with themes of loss, memory, and overcoming barriers.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.instagram.com\/rozalina_busel\/\">https:\/\/www.instagram.com\/rozalina_busel\/<\/a><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"679\" src=\"https:\/\/p707289.webspaceconfig.de\/wp-content\/uploads\/2025\/02\/RazalinaBusel_saerge-1024x679.jpg\" alt=\"RazalinaBusel saerge\" class=\"wp-image-4853\" style=\"width:616px;height:auto\" srcset=\"https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/RazalinaBusel_saerge-1024x679.jpg 1024w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/RazalinaBusel_saerge-300x199.jpg 300w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/RazalinaBusel_saerge-768x510.jpg 768w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/RazalinaBusel_saerge-1536x1019.jpg 1536w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/RazalinaBusel_saerge-1000x664.jpg 1000w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/RazalinaBusel_saerge-230x153.jpg 230w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/RazalinaBusel_saerge-350x232.jpg 350w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/RazalinaBusel_saerge-480x318.jpg 480w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/RazalinaBusel_saerge.jpg 2000w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n<p><strong>Ruth Unger <\/strong>(Leipzig) explores the connection between identity and materiality in her project <em>&#8220;ONE MASK. ONE DAY. IN CLAY.&#8221;<\/em> Since 2020, she has been working on a series of mask sculptures that reflect everyday and universal experiences. At the Keramikk\u00fcnstlerhaus, she is creating 50 new ceramic masks, deliberately embracing incompleteness as a key element, adding a new conceptual dimension to the series.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.instagram.com\/ruth__unger\/\">https:\/\/www.instagram.com\/ruth__unger\/<\/a><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"724\" src=\"https:\/\/p707289.webspaceconfig.de\/wp-content\/uploads\/2025\/02\/Slide2.Neumuenster-1024x724.jpg\" alt=\"Slide2.Neumuenster\" class=\"wp-image-4855\" style=\"width:616px;height:auto\" srcset=\"https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Slide2.Neumuenster-1024x724.jpg 1024w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Slide2.Neumuenster-300x212.jpg 300w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Slide2.Neumuenster-768x543.jpg 768w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Slide2.Neumuenster-1536x1086.jpg 1536w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Slide2.Neumuenster-2048x1448.jpg 2048w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Slide2.Neumuenster-1000x707.jpg 1000w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Slide2.Neumuenster-230x163.jpg 230w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Slide2.Neumuenster-350x247.jpg 350w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Slide2.Neumuenster-480x339.jpg 480w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n<p><strong>2nd tandem: Amelia Rosenberg and Ollie Gandul Reyes; Vernissage: September 11<\/strong><\/p>\n\n\n\n<p><strong>Amelia Rosenberg<\/strong> (USA) explores the connection between family tradition, survival, and generational experience in her work. Inspired by the Bavarian folk textiles of her great-grandfather Moritz Wallach and his brothers &#8211; renowned Munich artisans before the Holocaust &#8211; she creates ceramic sculptures. Her work focuses on animals as symbols of instincts and human reactions. In her upcoming project, the artist consciously shifts the focus away from pain, embracing the joy of being born into a family of artists.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.instagram.com\/amelia__makes\/\">https:\/\/www.instagram.com\/amelia__makes\/<\/a><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"940\" height=\"1024\" src=\"https:\/\/p707289.webspaceconfig.de\/wp-content\/uploads\/2025\/02\/Rosenberg_4-940x1024.jpg\" alt=\"Rosenberg 4\" class=\"wp-image-4856\" style=\"width:444px;height:auto\" srcset=\"https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Rosenberg_4-940x1024.jpg 940w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Rosenberg_4-275x300.jpg 275w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Rosenberg_4-768x837.jpg 768w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Rosenberg_4-1409x1536.jpg 1409w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Rosenberg_4-1879x2048.jpg 1879w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Rosenberg_4-1000x1090.jpg 1000w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Rosenberg_4-230x251.jpg 230w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Rosenberg_4-350x381.jpg 350w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Rosenberg_4-480x523.jpg 480w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Rosenberg_4.jpg 1927w\" sizes=\"(max-width: 940px) 100vw, 940px\" \/><\/figure><\/div>\n\n\n<p><strong>Ollie Gandul Reyes<\/strong> (Spain) explores themes of desire, lust, and sexual intimacy from a queer and inclusive perspective in installations composed of ceramic sculptures combined with textiles, metal, and rubber. Their work plays with contrasts such as softness and hardness, pleasure and discomfort, focusing on how social mechanisms shape our desires. At the Keramikk\u00fcnstlerhaus, Ollie Gandul Reyes aims to further deepen these themes and challenge societal constructs.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.instagram.com\/olliegandul\/\">https:\/\/www.instagram.com\/olliegandul\/<\/a><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/p707289.webspaceconfig.de\/wp-content\/uploads\/2025\/02\/OllieGandul_img4-682x1024.jpeg\" alt=\"OllieGandul img4\" class=\"wp-image-4857\" style=\"width:441px;height:auto\" srcset=\"https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/OllieGandul_img4-682x1024.jpeg 682w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/OllieGandul_img4-200x300.jpeg 200w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/OllieGandul_img4-768x1152.jpeg 768w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/OllieGandul_img4-1024x1536.jpeg 1024w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/OllieGandul_img4-600x900.jpeg 600w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/OllieGandul_img4-1000x1500.jpeg 1000w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/OllieGandul_img4-230x345.jpeg 230w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/OllieGandul_img4-350x525.jpeg 350w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/OllieGandul_img4-480x720.jpeg 480w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/OllieGandul_img4.jpeg 1181w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><\/figure><\/div>\n\n\n<p><strong>3rd tandem: Magdalena Maros and Yumiko Ono; Vernissage: November 27<\/strong><\/p>\n\n\n\n<p>In the planned project <em>&#8220;TRACES OF THE CITY \u2013 DIALOGUES OF SILENCE&#8221;<\/em>, <strong>Magdalena Maros <\/strong>(Poland) explores the subtle traces a city leaves in our perception and memory. Neum\u00fcnster becomes the stage for her reflections. In a sketchbook-like work composed of reliefs, collages, and cyanotypes on porcelain, the artist connects physical and emotional imprints. For her, porcelain symbolizes the fleeting nature of moments\u2014fragile yet indelible.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.instagram.com\/maros_magdalena\/\">https:\/\/www.instagram.com\/maros_magdalena\/<\/a><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"702\" src=\"https:\/\/p707289.webspaceconfig.de\/wp-content\/uploads\/2025\/02\/6.-Magdalena-Maros-Sparkle-2019-1024x702.jpg\" alt=\"6. Magdalena Maros Sparkle 2019\" class=\"wp-image-4858\" style=\"width:616px;height:auto\" srcset=\"https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/6.-Magdalena-Maros-Sparkle-2019-1024x702.jpg 1024w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/6.-Magdalena-Maros-Sparkle-2019-300x206.jpg 300w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/6.-Magdalena-Maros-Sparkle-2019-768x527.jpg 768w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/6.-Magdalena-Maros-Sparkle-2019-1536x1053.jpg 1536w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/6.-Magdalena-Maros-Sparkle-2019-2048x1404.jpg 2048w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/6.-Magdalena-Maros-Sparkle-2019-1000x686.jpg 1000w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/6.-Magdalena-Maros-Sparkle-2019-230x158.jpg 230w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/6.-Magdalena-Maros-Sparkle-2019-350x240.jpg 350w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/6.-Magdalena-Maros-Sparkle-2019-480x329.jpg 480w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n<p><strong>Yumiko Ono<\/strong> (Japan) explores utopian themes in her work, drawing inspiration from Brutalism and socialist architecture from both East and West. She merges ceramic elements with architecture to question the boundaries between the two. In her project at the Keramikk\u00fcnstlerhaus, she aims to take inspiration from the region\u2019s Brutalist architecture and unrealized architectural plans to create a fictional structure &#8211; a universal, peaceful space that feels familiar yet exists nowhere.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.instagram.com\/yumikoo.oono\/\">https:\/\/www.instagram.com\/yumikoo.oono\/<\/a><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"892\" height=\"597\" src=\"https:\/\/p707289.webspaceconfig.de\/wp-content\/uploads\/2025\/02\/YumikoOno_pic.jpg\" alt=\"YumikoOno pic\" class=\"wp-image-4859\" style=\"width:621px;height:auto\" srcset=\"https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/YumikoOno_pic.jpg 892w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/YumikoOno_pic-300x201.jpg 300w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/YumikoOno_pic-768x514.jpg 768w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/YumikoOno_pic-230x154.jpg 230w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/YumikoOno_pic-350x234.jpg 350w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/YumikoOno_pic-480x321.jpg 480w\" sizes=\"(max-width: 892px) 100vw, 892px\" \/><\/figure><\/div>\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"1024\" src=\"https:\/\/p707289.webspaceconfig.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Plakat-1-722x1024.jpg\" alt=\"Jahresprogramm Plakat 1\" class=\"wp-image-4860\" style=\"width:1031px;height:auto\" srcset=\"https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Plakat-1-722x1024.jpg 722w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Plakat-1-211x300.jpg 211w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Plakat-1-768x1090.jpg 768w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Plakat-1-1082x1536.jpg 1082w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Plakat-1-1443x2048.jpg 1443w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Plakat-1-1000x1419.jpg 1000w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Plakat-1-230x326.jpg 230w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Plakat-1-350x497.jpg 350w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Plakat-1-480x681.jpg 480w, https:\/\/www.keramikkuenstlerhaus.de\/wp-content\/uploads\/2025\/02\/Jahresprogramm_Plakat-1-scaled.jpg 1804w\" sizes=\"(max-width: 722px) 100vw, 722px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>As part of the \u00b0CAET program, six international artists are once again coming to the Keramikk\u00fcnstlerhaus for seven weeks each: Razalina Busel from Belarus, Ruth Unger from Leipzig, Amelia Rosenberg from the USA, Ollie Gandul Reyes from Spain, Yumiko Ono from Japan and Magdalena Maros from Poland. In addition to the exhibition openings, other events [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4844,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[93,100,95,98,1,2,3],"tags":[507,146,188,105,338,103,106,509,104,508,505,506,216,351,510],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.7.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Annual program 2025 - Keramikk\u00fcnstlerhaus Neum\u00fcnster<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.keramikkuenstlerhaus.de\/en\/annual-program-2025\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Annual program 2025\" \/>\n<meta property=\"og:description\" content=\"As part of the \u00b0CAET program, six international artists are once again coming to the Keramikk\u00fcnstlerhaus for seven weeks each: Razalina Busel from Belarus, Ruth Unger from Leipzig, Amelia Rosenberg from the USA, Ollie Gandul Reyes from Spain, Yumiko Ono from Japan and Magdalena Maros from Poland. 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